(EDITOR’S NOTE: A part of me admires Michael Moore for the skill with which he is able to manipulate his audiences. But it is important to highlight the techniques that he employs to achieve his goals. The following excerpts are from an article by Dave Kopel, who endorsed and voted for Ralph Nader in the 2000 Presidential election. In it, he deconstructs “Bowling for Columbine”, addressing many of Moore’s conclusions that may have been accepted by the audience on first viewing. Recently, he has also been completing a critique of Moore’s new film, “Fahrenheit 9/11“, that you can read by clicking here. -BBM)
Bowling Truths: Michael Moore’s Mocking
by DAVE KOPEL
National Review
Friday, April 4, 2003
In the field of mockumentary filmmaking, there are two giants. Rob Reiner created the genre with his film
This is Spinal Tap. Michael Moore has taken the genre to an entirely different level, with
Bowling for Columbine.
...The first mockumentary "fact" is the title itself. The Columbine murderers were enrolled in a high-school bowling class. After the NRA introduction, the film begins on the morning of April 20, 1999, the day of the Columbine murders. Narrator Moore announces that on that day, "Two boys went bowling at six in the morning." This serves as a setup for a later segment looking at the causes of Columbine, and arguing that blaming violent video games (which the killers played obsessively) or Marilyn Manson music (which the killers enjoyed) makes no more sense than blaming bowling.
In fact, the two killers ditched bowling class on the day of the murders. The police investigation found that none of the students in the bowling class that morning had seen the killers that day. The police report was completed long before the release of Bowling for Columbine, so the title itself is a deliberate falsehood. (I don't use the word "lie" because the mockumentary genre allows for the use of invented facts.)
...Similarly, the ideology of gun ownership and civil liberty is not presented by reference to Thomas Jefferson and James Madison, or to legal scholars such as liberal Democrats Sanford Levinson or Larry Tribe. Instead, Moore goes to the Michigan Militia.
While Moore allows the militia members to present their case, he makes the group (which has no record of illegal violence or any other illegal activity) appear extremely dangerous by informing viewers that Timothy McVeigh and Terry Nichols attended militia meetings. Moore conveniently neglects to mention that the two were eventually kicked out, for talking about violence.
...Aerospace contractor Lockheed Martin has a factory in Littleton, so Moore asks a company spokesman if "our kids say to themselves, 'Well, gee, Dad goes off to the factory every day, and he builds missiles, he builds weapons of mass destruction. What's the difference between that mass destruction and the mass destruction over at Columbine High School?'"
...Of course the connection is nonsense. While one killer's father once served in the Air Force, neither family worked in the defense industry. The other killer's parents were gun-control advocates — so much so that they forbade him to play with toy guns — unlike the many children who are shown with toy guns elsewhere in the film. One of the killers' gun suppliers was the son of a Colorado anti-gun activist.
...Right after the footage of the airplanes hitting the Twin Towers, Bowling shows a B-52 memorial at the Air Force Academy in Colorado Springs. Moore intones: "The plaque underneath it proudly proclaims that this plane killed Vietnamese people on Christmas Eve 1972." The point is obvious: that the United States government and al Qaeda both perpetrate murder by airplane.
In fact, the plaque on the B-52 at the AFA is not as Moore describes it. The plaque says "B-52D Stratofortress. 'Diamond Lil.' Dedicated to the men and women of the Strategic Air Command who flew and maintained the B-52D throughout its 26-year history in the command. Aircraft 55-083, with over 15,000 flying hours, is one of two B-52Ds credited with a confirmed MIG kill during the Vietnam Conflict Flying out of U-Tapao Royal Thai Naval Airfield in southern Thailand, the crew of 'Diamond Lil' shot down a MIG northeast of Hanoi during 'Linebacker II' action on Christmas Eve, 1972."
...A montage of U.S. foreign-policy atrocities (to the tune of "What a Wonderful World") concludes with the statement that the U.S. gave $245 million to the Taliban in 2000-01. The next shot is of the World Trade Center in flames.
In fact, that money was not given to the Taliban government, but rather to U.S. and international agencies that distributed humanitarian aid to the people of Afghanistan.
...Having established the racism and paranoia of American gun owners, Moore now begins an extended sequence depicting the media as racist fear-mongers. He first argues that the media create irrational fears about black criminals. (According to the FBI's Uniform Crime Reports, table 43, 4,238 blacks were arrested for murder and non-negligent manslaughter, compared to 4,231 whites.)
On the one hand, Bowling works the audience into self-righteous anger at "the media" for using cheap sensationalism to promote fear. At the very same time, the film uses — you guessed it — cheap sensationalism to promote fear.
The very techniques which he decries in the media, Moore uses himself, with obvious approval from the audience. Moore thus enacts a real demonstration of how the audience is itself complicit in the cycle of fear.
Moore criticizes weakly researched media stories that scare people over nothing (such as phony stories about razors in Halloween apples), but at the same time, his own factual claims are either invented or taken grossly out of context.
Glassner's book points out that an American schoolchild is much more likely to be killed by lightning than in a school shooting. Yet Moore's film rests on the premise that the Columbine shooting represents an American epidemic of violence.
...After over an hour spent on the horrors of the United States, Moore switches to the peaceful society of Canada. He begins by arguing that Canada and the United States are very similar — except that Canada has a generous welfare state, and no culture of fear.
It's true that Canada does have a lot of guns compared to England or Japan, but Canada's per-capita gun ownership rate is about a third of the American level.
Moore films the over-the-counter purchase, no questions asked, of some ammunition in a Canadian store. The Canadian government has pointed out that such a transaction would be illegal, since the buyer is required to present identification.
Moore did not respond to a request from the government's Canadian Firearms Centre to explain whether he staged a fake purchase, edited out the ID request, or broke the law.
Moore then tells the audience that 13 percent of the Canadian population is minority ethnic, the same as in the U.S. Actually, it's about 31 percent in the U.S. More significantly, blacks and Hispanics, who are involved in well over 50 percent of American homicides (both as victims and as perpetrators) make up about 2.5 percent of the Canadian population. In the United States, each group makes up about one-eighth of the U.S. population.
...Bowling for Columbine revels in the tabloid-style, raw exploitation of emotion — in promotion of unjustified fear, in falsehoods and quarter-truths, in oversimplification of the problems of race, and in mean-spirited pandering to the audience's bigotry about people of different social backgrounds.
In this way, Bowling subverts its own audience.
To participate in Bowling's emotional journey is to surrender to the very same mendacious hate- and fear-mongering that the movie purports to criticize.